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The Best Microphones for Recording Vocals over Hip Hop Instrumentals

In comparing mics there’s not always a clear better or worse. For example, when I’m making a hip hop beat and I want to add a piano sound there are many to choose from (a dark piano, bright, distorted), each going better with different beats. The same goes with microphones. Different mics go better with different artists over different instrumentals. However, in modern hip hop music the sound of vocals has become very consistent. Where as the instrumental’s piano, snare, or kick often sound different from song to song, the vocal quality across the board is usually about the same. This makes it possible for top producers to get away with having only one microphone in their mic cabinet. This vocal standard, also makes it easier to compare mics, and it will be this same standard that I judge these following microphones against. The general rule is you get what you pay for, but in each price range there are some mics that out shine the others. So without further adieu here is a list of microphones that are well worth their price. From top dollar down…

Sony C800G – $5,500
Capsule type: Condenser
Frequency response:
20Hz – 18kHz
Directivity: Uni/Omni
Microphone Connector: CNR-01 type (7 pin)
Stand screw/Mic Holder screw: PF 1/2 inch thread
Remarks: Vacuum Tube
Output impedance at 1kHz (balanced) (1/2
+- 20%): 100W
Induction noise from ext. magnetic field: 0
Max. input sound pressure level : 131dB (Uni), 134dB (Omni)

Inherent noise: 18 (Uni), 21 (Omni) (dB SPL)
Wind noise (0dB=
20 Pa.): less than or equal to 50(dB SPL)
Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread
Effective output level at 1kHz: -28.0 (Uni), -31.0 (Omni) (dBm)
Sensitivity: -32.0 dB
+- 2.0 (Uni), -35.0 dB +- 2.0 (Omni)
Dynamic range: 113dB
Signal-to-noise ratio: 76dB (Uni), 73dB (Omni)

Neumann U87 Ai – $2,650
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Omnidirectional, cardioid, figure-8 plus
Frequency range: 20 Hz – 20 kHz
Sensitivity at 1 kHz into 1 kohm: 20/28/22 mV/Pa
Rated impedance: 200 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 26/23/25 dB
Equivalent SPL DIN/IEC 651: 15/12/14 dB-A
S/N ratio CCIR 468-3: 68/71/69 dB
S/N ratio DIN/IEC 651: 79/82/80 dB
Maximum SPL for THD 0.5%: 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation: 127 dB
Maximum output voltage: 390 mV
Dynamic range of the microphone amplifier cardioid DIN/IEC 651: 105 dB
Supply voltage: 48 V +- 4 V
Current consumption: 0.8 mA
Matching connectors: XLR3F
Weight: 500 g
Diameter: 56 mm
Length: 200 mm

Rode K2 – $700
Acoustic Principle: Externally polarized 25 mm (1″) condenser
Active Electronics: Thermionic impedance converter with bipolar output buffer
Pickup Pattern: Multi-pattern
Frequency Response: 20 Hz ~ 20 kHz
Output Impedance: 200 ohms
Sensitivity: -36 dB re 1 Volt/Pascal (16 mV @ 94dB SPL) +/- 2 dB
Equivalent Noise: 10 dBA SPL (per IEC651, IEC268-15)
Maximum Output: > + 30 dBu (@ 1% THD into 1kOhms)
Dynamic Range: 150dB (per IEC651, IEC268-15)
Maximum SPL: 162 dB (@ 1% THD into 1kOhms)
Signal/Noise: > 81 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
Power Requirements: Dedicated Power Supply (110 ~ 120V/220 ~ 240V, 50/60Hz)

Audio-Technica AT4040 – $280
Element: Externally-polarized (DC bias) condenser
Polar Pattern: Cardioid
Frequency Response: 20-20,000 Hz
Low Frequency Roll-Off: 80 Hz, 12 dB/octave
Open Cicuit Sensitivity: -32 dB (25.1 mV) re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D.; 155 dB SPL, with 10 dB pad (nominal)
Noise: 12 dB SPL
Dynamic Range (typical): 133 dB, 1 kHz at Max SPL
Signal-to-Noise Ratio: 82 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 48V DC, 4.2 mA typical
Switches: Flat, roll-off; 10 dB pad (nominal)
Weight (less accessories): 12.7 oz (360 g)
Dimensions: 6.69″ (170.0 mm) long, 2.10″ (53.4 mm) maximum body diameter
Output Connector: Integral 3-pin XLRM-type

MXL 990 – $60
Type: Condenser pressure gradient mic with large 20mm gold diaphragm capsule
Frequency Range: 30Hz – 20kHz
Polar Pattern: Cardioid
Sensitivity: 15mV/Pa
Impedance: 200W
S/N Ratio: 80dB (Ref. 1Pa A-weighted)
Equivalent Noise Level: 20dB(A weighted IEC 268-4)
Max SPL for 0.5% THD: 130dB
Max SPL with -10dB cut: 130dB
Power Requirements: 48V Phantom Power (+- 4V)
Current Consumption: <3.0ma
Size: 60mm x 130mm
Weight: 1.2 lbs
Metal Finish: Champagne

A graph of microphones and their different sound qualities…





26 Responses to “The Best Microphones for Recording Vocals over Hip Hop Instrumentals”

  1. GahCinyadonna Says:

    Someday somebody has got to decide whether the typewriter is the machine,
    or the person who operates it.

    —————————————————————————————————-
    http://blurty.com/users/adelinefordqe

  2. SeanShine aka SEAN*E*R.A.W. Says:

    My SAMSON VR88 IS PRETTY WELL ROUNDED I ENJOY IT FOR $500 MIGHT BE CHEAPER NOW GOT IT AT THE END OF LAST YEAR

  3. micejerfomi Says:

    Hello.
    :) The natural photo of the new arrival, taken by Emma Tallulah’s dad,
    Bye.

  4. SLaME Says:

    Rode k-2 ??????? ???????? ?? ???? ????
    ?? ??? ???????, ??? Neumann U87 Ai ?? ????? ????? ?????!!! ????? ?? ?????? ????? (Neumann U87).

  5. ?????? Says:

    I fucked you smelly foreigners Russia operates hohohoho

  6. Strata Says:

    For a nice $400-500 dollar mic the BLUE baby bottle I’ve found to be nice with hiphop VOX

  7. Strata Says:

    But I’m a huge fan of the U87………..I say save and spend the money……..

  8. auto-tune design Says:

    http://www.myspace.com/cainerap ???.go there to see more information on why hip hop should be illegal

  9. E3 Says:

    I like the Studio Projects B3… Nice mic

  10. Mike Says:

    great blog, the pictures and everything!

  11. SeanShine aka SEAN*E*R.A.W. Says:

    I still use the Samson VR88 it’s handcrafted and a limited edition it’s a ribbon mic, it’s pickup is amazing also good for live sounds, sound fx, vocals, real nice with drums etc… it’s a most have but there of course are other mics out there it’s all about what u can afford or/and what u like http://www.myspce.com/seshanalliance

  12. Word of the Day: Microphone « Studio 6 Says:

    [...] found a blog of the supposed “best mics for hip-hop [...]

  13. t562t Says:

    c706t

  14. t450t Says:

    c515t

  15. Allfalee Says:

    Thanks for the info. Respect

  16. COREY THE PDCR Says:

    fuck u fools if yur looking for a good mic to get for 200 to 250 get a MXL V69 Mogami Edition…OR, the “BLUE Bird”,,,,,,simple az that niggaz those mics with make your vocals big an bright

  17. mark lee Says:

    Well that’s interesting, yes I do believe that instrument plays a vital role in the well presentation of song, your share data really helping, it training
    thanks for this stuff.

  18. Jim Bond Says:

    Good post.

  19. lilddaprince Says:

    Sony C800G is a great mic but i like Audio t-4033 and the nueman u87 =) Check out the tracks 400,000 + plays im only 17 giv a kid a break

  20. lilezanna Says:

    am lilezanna i think am the best rapper in the world i train every day me and my bro every on in our home town loves our music am a hardcore rapper somthing like wayen but i have my swag no dout am just looking any record deal so i can show the world the talent the lord has gave me and am looking 2 make any producer rich as hell i have mad talent my flow is like water it just flows if u see this please hit me up if ur really wanta give my a chance

  21. lilezanna Says:

    hit me up at elijahpoullard@yahoo.com

  22. Spencer Baird Says:

    I’m a huge fan of the AT 4040 I think it sounds just as good as a Neumann

  23. MikeGeezy Says:

    What’s better between the bluebird and AT4040?

  24. spank Says:

    nothing better than a mc wit a ill voice……… jamglue.com /brazenbruklen

  25. swat x.breed family Says:

    it aint da mic thats doin da singin try singin 2 a showa head youll get sprayed. keep doz mics cumin so us hip hop artists can keep workin our magic

  26. K.I.D. Says:

    I am not the Microphone Guru or anything, but I am a decent audio engineer working mainly with Hip-Hop tracks, and I’ve heard my share of microphones, & I feel that this list is missing the Studio Projects B1 & the Shure SM7B, while on the lower side of the price range they do seem to exceed expectations

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