The Best Microphones for Recording Vocals over Hip Hop Instrumentals
In comparing mics there’s not always a clear better or worse. For example, when I’m making a hip hop beat and I want to add a piano sound there are many to choose from (a dark piano, bright, distorted), each going better with different beats. The same goes with microphones. Different mics go better with different artists over different instrumentals. However, in modern hip hop music the sound of vocals has become very consistent. Where as the instrumental’s piano, snare, or kick often sound different from song to song, the vocal quality across the board is usually about the same. This makes it possible for top producers to get away with having only one microphone in their mic cabinet. This vocal standard, also makes it easier to compare mics, and it will be this same standard that I judge these following microphones against. The general rule is you get what you pay for, but in each price range there are some mics that out shine the others. So without further adieu here is a list of microphones that are well worth their price. From top dollar down…
Sony C800G – $5,500
Capsule type: Condenser
Frequency response: 20Hz – 18kHz
Directivity: Uni/Omni
Microphone Connector: CNR-01 type (7 pin)
Stand screw/Mic Holder screw: PF 1/2 inch thread
Remarks: Vacuum Tube
Output impedance at 1kHz (balanced) (1/2 +- 20%): 100W
Induction noise from ext. magnetic field: 0
Max. input sound pressure level : 131dB (Uni), 134dB (Omni)
Inherent noise: 18 (Uni), 21 (Omni) (dB SPL)
Wind noise (0dB=20 Pa.): less than or equal to 50(dB SPL)
Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread
Effective output level at 1kHz: -28.0 (Uni), -31.0 (Omni) (dBm)
Sensitivity: -32.0 dB +- 2.0 (Uni), -35.0 dB +- 2.0 (Omni)
Dynamic range: 113dB
Signal-to-noise ratio: 76dB (Uni), 73dB (Omni)
Neumann U87 Ai – $2,650
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Omnidirectional, cardioid, figure-8 plus
Frequency range: 20 Hz – 20 kHz
Sensitivity at 1 kHz into 1 kohm: 20/28/22 mV/Pa
Rated impedance: 200 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 26/23/25 dB
Equivalent SPL DIN/IEC 651: 15/12/14 dB-A
S/N ratio CCIR 468-3: 68/71/69 dB
S/N ratio DIN/IEC 651: 79/82/80 dB
Maximum SPL for THD 0.5%: 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation: 127 dB
Maximum output voltage: 390 mV
Dynamic range of the microphone amplifier cardioid DIN/IEC 651: 105 dB
Supply voltage: 48 V +- 4 V
Current consumption: 0.8 mA
Matching connectors: XLR3F
Weight: 500 g
Diameter: 56 mm
Length: 200 mm
Rode K2 – $700
Acoustic Principle: Externally polarized 25 mm (1″) condenser
Active Electronics: Thermionic impedance converter with bipolar output buffer
Pickup Pattern: Multi-pattern
Frequency Response: 20 Hz ~ 20 kHz
Output Impedance: 200 ohms
Sensitivity: -36 dB re 1 Volt/Pascal (16 mV @ 94dB SPL) +/- 2 dB
Equivalent Noise: 10 dBA SPL (per IEC651, IEC268-15)
Maximum Output: > + 30 dBu (@ 1% THD into 1kOhms)
Dynamic Range: 150dB (per IEC651, IEC268-15)
Maximum SPL: 162 dB (@ 1% THD into 1kOhms)
Signal/Noise: > 81 dB (1kHz rel 1 Pa; per IEC651, IEC268-15)
Power Requirements: Dedicated Power Supply (110 ~ 120V/220 ~ 240V, 50/60Hz)
Audio-Technica AT4040 – $280
Element: Externally-polarized (DC bias) condenser
Polar Pattern: Cardioid
Frequency Response: 20-20,000 Hz
Low Frequency Roll-Off: 80 Hz, 12 dB/octave
Open Cicuit Sensitivity: -32 dB (25.1 mV) re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D.; 155 dB SPL, with 10 dB pad (nominal)
Noise: 12 dB SPL
Dynamic Range (typical): 133 dB, 1 kHz at Max SPL
Signal-to-Noise Ratio: 82 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 48V DC, 4.2 mA typical
Switches: Flat, roll-off; 10 dB pad (nominal)
Weight (less accessories): 12.7 oz (360 g)
Dimensions: 6.69″ (170.0 mm) long, 2.10″ (53.4 mm) maximum body diameter
Output Connector: Integral 3-pin XLRM-type
MXL 990 – $60
Type: Condenser pressure gradient mic with large 20mm gold diaphragm capsule
Frequency Range: 30Hz – 20kHz
Polar Pattern: Cardioid
Sensitivity: 15mV/Pa
Impedance: 200W
S/N Ratio: 80dB (Ref. 1Pa A-weighted)
Equivalent Noise Level: 20dB(A weighted IEC 268-4)
Max SPL for 0.5% THD: 130dB
Max SPL with -10dB cut: 130dB
Power Requirements: 48V Phantom Power (+- 4V)
Current Consumption: <3.0ma
Size: 60mm x 130mm
Weight: 1.2 lbs
Metal Finish: Champagne
A graph of microphones and their different sound qualities…

May 14th, 2008 at 5:08 am
Someday somebody has got to decide whether the typewriter is the machine,
or the person who operates it.
—————————————————————————————————-
http://blurty.com/users/adelinefordqe
July 21st, 2008 at 3:52 pm
My SAMSON VR88 IS PRETTY WELL ROUNDED I ENJOY IT FOR $500 MIGHT BE CHEAPER NOW GOT IT AT THE END OF LAST YEAR
October 12th, 2008 at 3:30 pm
Hello.
The natural photo of the new arrival, taken by Emma Tallulah’s dad,
Bye.
October 19th, 2008 at 12:23 am
Rode k-2 ??????? ???????? ?? ???? ????
?? ??? ???????, ??? Neumann U87 Ai ?? ????? ????? ?????!!! ????? ?? ?????? ????? (Neumann U87).
October 19th, 2008 at 12:26 am
I fucked you smelly foreigners Russia operates hohohoho
October 19th, 2008 at 9:40 pm
For a nice $400-500 dollar mic the BLUE baby bottle I’ve found to be nice with hiphop VOX
October 19th, 2008 at 9:41 pm
But I’m a huge fan of the U87………..I say save and spend the money……..
October 28th, 2008 at 1:51 pm
http://www.myspace.com/cainerap ???.go there to see more information on why hip hop should be illegal
December 3rd, 2008 at 10:53 pm
I like the Studio Projects B3… Nice mic
December 16th, 2008 at 9:26 pm
great blog, the pictures and everything!
January 29th, 2009 at 9:25 pm
I still use the Samson VR88 it’s handcrafted and a limited edition it’s a ribbon mic, it’s pickup is amazing also good for live sounds, sound fx, vocals, real nice with drums etc… it’s a most have but there of course are other mics out there it’s all about what u can afford or/and what u like http://www.myspce.com/seshanalliance
February 24th, 2009 at 5:11 pm
[...] found a blog of the supposed “best mics for hip-hop [...]
March 5th, 2009 at 8:36 pm
c706t
March 5th, 2009 at 8:37 pm
c515t
May 20th, 2009 at 10:16 am
Thanks for the info. Respect
May 20th, 2009 at 9:02 pm
fuck u fools if yur looking for a good mic to get for 200 to 250 get a MXL V69 Mogami Edition…OR, the “BLUE Bird”,,,,,,simple az that niggaz those mics with make your vocals big an bright
July 9th, 2009 at 3:05 am
Well that’s interesting, yes I do believe that instrument plays a vital role in the well presentation of song, your share data really helping, it training
thanks for this stuff.
July 16th, 2009 at 9:16 pm
Good post.
July 31st, 2009 at 10:07 am
Sony C800G is a great mic but i like Audio t-4033 and the nueman u87 =) Check out the tracks 400,000 + plays im only 17 giv a kid a break
August 5th, 2009 at 12:24 pm
am lilezanna i think am the best rapper in the world i train every day me and my bro every on in our home town loves our music am a hardcore rapper somthing like wayen but i have my swag no dout am just looking any record deal so i can show the world the talent the lord has gave me and am looking 2 make any producer rich as hell i have mad talent my flow is like water it just flows if u see this please hit me up if ur really wanta give my a chance
August 5th, 2009 at 12:33 pm
hit me up at elijahpoullard@yahoo.com
November 29th, 2009 at 9:30 pm
I’m a huge fan of the AT 4040 I think it sounds just as good as a Neumann
January 23rd, 2010 at 8:35 pm
What’s better between the bluebird and AT4040?